The Town that Dreaded Sundown (Gomez-Rejon, 2014)
Not quite a remake, reboot, or sequel to the 1976 original, The Town that Dreaded Sundown sets itself in the real town that was set upon by the unsolved “Phantom Killer” murders in the 40s that then formed the basis of the original film 30 years later. Everyone in the town of Texarcana on the border of Texas and Arkansas knows its legacy – there are screenings of the original film every Halloween at the drive-in – so when a copycat killer strikes and reignites a hysteria that has been laying dormant for decades it feels as though the whole town itself is culpable.
The original Town that Dreaded Sundown is a minor but interesting horror movie – basically a set of effective sequences strung together by some dull procedural and some head-smackingly dumb slapstick – so it’s surprising to see so many interesting ideas being flung around here. Director Alfonso Gomez-Rejon
does well to focus on the survivor of this new phantom’s first attack, rooting his film in the genuine protagonist that the original film lacked. And though the actual horror plotline is as routine as they come, the specifics of the real-life setting provide enough underpinning context and colour to keep things engaging, particularly in town hall scenes that explore the difficulty of having a town on a state border (two mayors, two sheriffs), the impact that the original string of murders had on the town, and the way that the first movie meant that they could consign it to history – effectively turning the Phantom murders into a myth that they didn’t have to engage with.
Gomez-Rejon has some visual style, too, smartly intercutting his action with footage from the original, and instilling some haunting imagery into his set pieces. The result is striking, original horror film that manages to say something new from something old.